Selasa, 24 April 2012

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  • Binding: Paperback

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In Postcolonial Ecocriticism, Graham Huggan and Helen Tiffin examine relationships between humans, animals and the environment in postcolonial texts. Divided into two sections that consider the postcolonial first from an environmental and then a zoocritical perspective, the book looks at:

  • narratives of development in postcolonial writing
  • entitlement and belonging in the pastoral genre
  • colonialist 'asset stripping' and the Christian mission
  • the politics of eating and representations of cannibalism
  • animality and spirituality
  • sentimentality and anthropomorphism
  • the place of the human and the animal in a 'posthuman' world.

Making use of the work of authors as diverse as J.M. Coetzee, Joseph Conrad, Daniel Defoe, Jamaica Kincaid and V.S. Naipaul, the authors argue that human liberation will never be fully achieved without challenging how human societies have constructed themselves in hierarchical relation to other human and nonhuman communities, and without imagining new ways in which these ecologically connected groupings can be creatively transformed.

  • Sales Rank: #129885 in Books
  • Published on: 2010-01-22
  • Released on: 2009-11-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .58" w x 5.43" l, .70 pounds
  • Binding: Paperback
  • 256 pages

Review

"This volume will be required reading for anyone interested in the debate about the literary in the era of environmental apocalypse."
- American Book Review

"This book--the critical meeting of the methods of ecocriticism and postcolonialism--is long overdue. Essential."
- CHOICE

"By grounding issues of representation in issues of environmental activism, Huggan and Tiffin remind ecocritics of the importance of this type of work. In this sense, their book makes an important contribution to ecocriticism in its steps to internationalise the field while also creating space for literary analysis within environmental activism around the world." - Green Letters

"Postcolonial Ecocriticism: Literature, Animals, Environment offers a rich and timely discussion of the ecocritical turn within postcolonial literary studies. This volume is an introduction to the field and is thus especially valuable to readers invested in postcolonial studies but new to ecocriticism...This volume further distinguishes itself by bringing together ecocriticism and the much newer zoocriticism" -Aarthi Vadde, Duke University, Contemporary Literature

"... there is much to admire in the book's breadth and usefulness, including pithy and accessible introductions to the politics of postcolonial development, racism's links with speciesism, and the role of post-humanism in a putatively "post-natural" world." - Anthony Carrigan, Keele University, Journal of Postcolonial Writing

"Postcolonial Ecocriticism offers a comprehensive summary and intelligent analysis of concerns and debates that define the terrain between and within the fields it surveys…Postcolonial Ecocriticism covers an impressive range of texts, including mainly fiction, but also poetry and drama, from India, Canada, Australia, New Zealand, South Africa, the Caribbean, and the postcolonial diaspora…The effect is consistently engaging and insightful." –Susie O’Brien, McMaster University, Postcolonial Text

"This thorough and well-written introduction to the field of postcolonial ecocriticism…offers a useful foundation by meticulously mapping the territory." -Roman Bartosch, Universities of Cologne/Duisburg-Essen, Ecozon

About the Author

Helen Tiffin was formerly Canada Research Chair in English and Post-Colonial Studies at Queen’s University, Ontario, and is now Adjunct Professor of Post-Colonial and Animal Studies at the University of New England, Australia.

Graham Huggan is Professor of Commonwealth and Postcolonial Literatures at the University of Leeds, UK.

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Kamis, 19 April 2012

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  • Sales Rank: #2754119 in Books
  • Published on: 2003-08-01
  • Binding: Hardcover

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Selasa, 17 April 2012

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The Fantastic Four #1 (Marvel Action Hour - How it all Began!) (Volume 1), by Stan Lee, Joey Cavalieri, Ron Friedman

  • Sales Rank: #7630478 in Books
  • Published on: 1994
  • Binding: Comic

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0 of 0 people found the following review helpful.
Very happy
By andrew brunell
I was very happy with the comic it was in better shape than was posted

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Senin, 16 April 2012

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A how-to guide for the discovery and prevention of the illegal transfer of money

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  • Sales Rank: #1634454 in Books
  • Published on: 2011-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.24" h x .80" w x 6.30" l, .90 pounds
  • Binding: Hardcover
  • 224 pages

Most helpful customer reviews

9 of 9 people found the following review helpful.
Sophomoric attempt
By Seth Labadie
This book is really quite basic. It doesn't go into any detail and there are NO references/citations. Examples are vague and usually theoretical. When specific historical cases are discussed, names and details are not mentioned. I found a few errors in the book, some of them grammatical (editors? hello?) and some of them quite irksome and shouldn't have been made (spelling Colombia as "Columbia" in many instances, and actually using both spellings in the same chapter (Ch. 4). Want a solid overview of AML? Try John Cassara's 'On the Trail of Terror Finance.'

8 of 9 people found the following review helpful.
Decent Overview
By D. Lawrence
This was a decent overview of the anti-money laundering field. But the author doesn't go into great detail when describing the money laundering schemes (i.e. key steps were left out). I have some experience in the field, so I could "read between the lines" and get the end point. But if you have very little knowledge of how money laundering schemes work, you're going to finish the book with a couple of question marks. But decent overview.

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Minggu, 15 April 2012

[D871.Ebook] Ebook Download Handbook of Hypnotic Suggestions and MetaphorsFrom Hammond, D. Corydon (EDT)

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Handbook of Hypnotic Suggestions and MetaphorsFrom Hammond, D. Corydon (EDT)

Designed as a practical desktop reference, this official publication of the American Society of Clinical Hypnosis is the largest collection of hypnotic suggestions and metaphors ever compiled. It provides a look at what experienced clinicians actually say to their patients during hypnotic work.

A book to be savored and referred to time and again, this handbook will become a dog-eared resource for the clinician using hypnosis.

  • Sales Rank: #43175 in Books
  • Brand: Hammond, D. Corydon (EDT)
  • Published on: 1990-06-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.60" h x 2.00" w x 7.80" l, 2.87 pounds
  • Binding: Hardcover
  • 624 pages

About the Author
D. Corydon Hammond, Ph.D., ABPH, is past president and a fellow of the American Society of Clinical Hypnosis (ASCH), which honored him with a Presidential Award of Merit in 1989. He also received the ASCH Irving I. Secter Award in 1990 and the Thomas P. Wall Award for Excellence in Teaching of Clinical Hypnosis in 1994. He is Professor of Physical Medicine and Rehabilitation and Co-director of the Sex and Marital Therapy Clinic at the University of Utah School of Medicine. He has written six books, including the Handbook of Hypnotic Suggestions and Metaphors. He coordinated a national task force on hypnosis and memory and is the primary author of Clinical Hypnosis and Memory: Guidelines for Clinicians and for Forensic Hypnosis and of ASCH's Standards of Training in Clinical Hypnosis.

Most helpful customer reviews

45 of 48 people found the following review helpful.
Good as a Secondary Resource
By Charlie
The Handbook of Hypnotic Suggestions and Metaphors seems to be on the shelves of many aspiring and accomplished hypnotherapists. I have read almost all of it, utilized some of the methods, and have spoken with many hypnotherapists who have read and used it. The general consensus is that the book provides some good ideas, some very good ideas, some mediocre ideas and a few worthless ones. I have certainly expanded my methods from using it. For people who already know hypnosis, this book is useful as an adjunct. I provides many approaches and scripts, but I have found that all need to be adapted based on the client, the hypnotherapist and the context. This means you need to know how to adapt them, and this "how" is beyond the scope of the Handbook. However, the Handbook does not promise to teach people how to modify scripts and methods, so that is not a shortcoming of the book. If someone wants to know more about the art of hypnosis and how to adapt various materials, you need to read a book or take a class which is specifically about that.

The biggest strength of the Handbook is that it provides a large amount of material and covers many types of application. The biggest weakness is that several of the scripts include language that violates some of the rules of suggestion. For example, there are several suggestions that are given in the negative, such as "do not think of orange..." This kind of mistake is only a problem for people who have limited training in hypnosis. People with proper training read these mistakes, note them and correct the script. People with limited hypnosis training do not recognize many of the mistakes and will use scripts with mistakes. I suspect that such mistakes occur because many of the chapters were written a long time ago and/or because the authors trained differently. While the Handbook has some shortcomings, they probably do not cause many problems because many people will still benefit from scripts which are imperfect. Hypnosis is a powerful approach and most of the time it takes more than a few "nots" to mess a session up.

The Handbook is a good secondary resource for approaches to and scripts for hypnosis. Most people I know refer to the Handbook when they working with a new type of problem (e.g. bed wetting) in order to get some general ideas about how to work with the problem. So, as a secondary reference, it gets FOUR STARS. I give only THREE STARS over all because I think too many people rely on it as a primary source of information, rather than as an ancillary reference.

0 of 0 people found the following review helpful.
A must have for beginners and seasoned hypnotherapists !
By Larry Phd
The Bible of Hypnotic Suggestions and Metaphors. I use it daily!

37 of 40 people found the following review helpful.
Essential text for the hypnotherapist
By RCKJ
Corey Hammond has artfully combined the works of skilled hypnotherapists into a comprehensive text which details the many uses and techniques of hypnotherapy. Fondly called by myself and my colleagues, "The Big Red Book", it remains one of the few texts I refer to on a daily basis. It stimulates my own creativity as a clinician and provides thought-provoking and incredibly useful solutions to difficult clinical problems. I recommend this work highly.

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Sabtu, 14 April 2012

[S735.Ebook] Free Ebook Mornings in Jenin: A Novel, by Susan Abulhawa

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Mornings in Jenin: A Novel, by Susan Abulhawa

Mornings in Jenin is a multi-generational story about a Palestinian family. Forcibly removed from the olive-farming village of Ein Hod by the newly formed state of Israel in 1948, the Abulhejos are displaced to live in canvas tents in the Jenin refugee camp. We follow the Abulhejo family as they live through a half century of violent history. Amidst the loss and fear, hatred and pain, as their tents are replaced by more forebodingly permanent cinderblock huts, there is always the waiting, waiting to return to a lost home.

The novel's voice is that of Amal, the granddaughter of the old village patriarch, a bright, sensitive girl who makes it out of the camps, only to return years later, to marry and bear a child. Through her eyes, with her evolving vision, we get the story of her brothers, one who is kidnapped to be raised Jewish, one who will end with bombs strapped to his middle. But of the many interwoven stories, stretching backward and forward in time, none is more important than Amal's own. Her story is one of love and loss, of childhood and marriage and parenthood, and finally the need to share her history with her daughter, to preserve the greatest love she has.

Set against one of the twentieth century's most intractable political conflicts, Mornings in Jenin is a deeply human novel - a novel of history, identity, friendship, love, terrorism, surrender, courage, and hope. Its power forces us to take a fresh look at one of the defining conflicts of our lifetimes.

  • Sales Rank: #33256 in Books
  • Brand: Brand: Bloomsbury
  • Published on: 2010-02-15
  • Released on: 2010-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .96" w x 5.53" l, .63 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Great product!

From Publishers Weekly
Starred Review. In this richly detailed, beautiful and resonant novel examining the Palestinian and Jewish conflicts from the mid-20th century to 2002, (originally published as The Scar of David in 2006, and now republished after a new edit), Abulhawa gives the terrible conflict a human face. The tale opens with Amal staring down the barrel of a soldier's gun—and moves backward to present the history that preceded that moment. In 1941 Palestine, Amal's grandparents are living on an olive farm in the village of Ein Hod. Their oldest son, Hasan, is best friends with a refugee Jewish boy, Ari Perlstein as WWII rages elsewhere. But in May 1948, the Jewish state of Israel is proclaimed, and Ein Hod, founded in 1189 C.E., was cleared of its Palestinian children... and the residents moved to Jenin refugee camp, where Amal is born. Through her eyes we experience the indignities and sufferings of the Palestinian refugees and also friendship and love. Abulhawa makes a great effort to empathize with all sides and tells an affecting and important story that succeeds as both literature and social commentary. (Feb.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Abulhawa’s debut novel is a powerful portrayal of what might be labeled the “other side” of the Palestinian-Israeli conflict, the viewpoint of Palestinian refugees uprooted in 1948, when Israel became a state. Such as the Abulheja family, who were forced from the village of Ein Hod to a refugee camp in Jenin. We meet twin brothers Ismael, who is kidnapped by an Israeli soldier and raised Jewish, and Yousef, who becomes filled with hatred and joins the PLO. Through the eyes of Amal, their sister born in Jenin in 1955, we travel through three decades of conflict, starting in June 1967 and the Six Days’ War, during which Jenin is bombed. So begins the military occupation that rules their lives. Amal is sent to an orphanage for Palestinian refugees in Jerusalem in 1969 and later receives a scholarship to Temple University in Philadelphia. Finally, Amal returns to Jenin in 2002 with her daughter to show her the “one-square-kilometer patch of earth” where she grew up. An intimate look at the refugee existence by a daughter of refugees. --Deborah Donovan

Review

“In these lean times for the book industry, a second chance for a work of literary fiction is beyond fantastical--akin to seeing the Mona Lisa twitch. To resort to a quaint phrase from publishing days of yore, someone at Bloomsbury obviously believed in this book, and, politics aside for a moment, it's easy to see why. Abulhawa is a passionate writer whose limber, poetic style transports a reader deep inside the war-torn world she chronicles…. Melodramatic? Certainly. Polemical? Absolutely. But, Mornings in Jenin is also a terrifically affecting novel, thanks to Abulhawa's elegance as a writer. It's a novel to savor.” ―Maureen Corrigan, The Philadelphia Inquirer

“Abulhawa has created a compassionate, ground-level view of a Palestinian family caught in the heart-wrenching realities of life in the Middle East.” ―Dianna Marder, The Philadelphia Inquirer

“In the acknowledgments to her novel Mornings in Jenin (Bloomsbury, February), Susan Abulhawa recalls being inspired by Edward Said's lament "that the Palestinian narrative was lacking in literature." Published as Scars of David in 2006, Abulhawa's newly re-edited novel fills that gap, chronicling the development of the Jewish state and its consequences for local Arabs from a decidedly Palestinian perspective.” ―Tablet: A New Read on Jewish Life

“In this richly detailed, beautiful and resonant novel examining the Palestinian and Jewish conflicts from the mid-20th century to 2002 … Abulhawa gives the terrible conflict a human face … [and] makes a great effort to empathize with all sides and tells an affecting and important story that succeeds as both literature and social commentary.” ―Publishers Weekly (starred review)

“Audacious, no-holds-barred account of a Palestinian family's suffering during 60 years of Israeli occupation … A potent debut.” ―Kirkus Reviews

“Abulhawa's debut novel is a powerful portrayal of what might be labeled the "other side" of the Palestinian-Israeli conflict, the viewpoint of Palestinian refugees uprooted in 1948…. An intimate look at the refugee existence by a daughter of refugees.” ―Booklist

“Mornings in Jenin is a powerful and passionate insight into what many Palestinians have had to endure since the state of Israel was created. Susan Abulhawa guides us through traumatic events with anger and great tenderness too, creating unforgettable images of a world in which humanity and inhumanity, selflessness and selfishness, love and hate grow so close to each other.” ―Michael Palin

“Mornings in Jenin is a powerful and sensitive narrative that encapsulates the Palestinian experience with searing honesty and moving compassion. Susan Abulhawa displays linguistic and imaginative skills that single her out as a literary figure with tremendous promise… In both its specific Palestinian content and its larger human dimension, this novel is at once a challenge to complacency and ignorance as well as an affirmation of all that is enduring and valuable in the undefeated human spirit.” ―Hanan Ashrawi, founder and Secretary General of the Palestinian Initiative for the Promotion of Global Dialogue and Democracy (MIFTAH), and author of This Side of Peace: A Personal Account

“A powerful and heartbreaking book.” ―Esther Freud

“The voice of Susan Abulhawa is honest, every word is heartfelt, the aim to honour history and acknowledge its facts. This book is a ‘tour' waiting to take with it all kinds of readers: the already converted, the uninformed, and especially those who are fortunate enough to live secure lives.” ―Hanan al-Shaykh

“I finished Susan Abulhawa's novel last night. As I came to the end I could hardly bear to read it. But I did and I loved it ... what she's done is that great Jane Eyre thing: here is my life, here is a life, from the very beginning to its very end; here is her family and her heart, her people and her land. You travel with her on every page.” ―Carmen Callil

“I love Mornings in Jenin … It really is a great work--the epic novel the Palestinian tragedy has been waiting for.” ―Robin Yassin-Kassab

Most helpful customer reviews

180 of 197 people found the following review helpful.
Hard to take but harder to put down
By S. Nichols
What I write pales in comparison to what you will find in the writing style and story within the pages of this book. If I could adequately describe how this book made me feel, I still would not do the book justice.
Mornings in Jenin is the story of four generations of Palestinians living through the birth of Israel and the never ending war that follows. The story centers on Amal, a women who is born in a refugee camp. Her story is one of loss, love and redemption.
I asked to review this particular book because I have always questioned the war between Israel and Palestine. I am torn between understanding the need for a permanent homeland after living through the horrors of WW2 and the way in which the country of Isreal was settled. When I was younger I would ask my elders to explain the actions of the two nations but try as they might, none could truly explain both sides. The issue of the two nations within one setting is very polarizing. I would hear about the Palestine terrorist but not the people. As a result I know little about the human story of Palestinians and thought this book may offer some insight into their world.
Abulhawa's writing style is nothing short of amazing. Though this book is heartbreaking at every turn Abulhawa's words sing out. Yes, they sing out and you as a reader are caught up in her song. Never mind that at times the pain becomes unbearable, the song of her words compel you the reader to stay with her. A little past half way I wanted to give up; there was too much death and heartache, but I stuck with it as the story needed to be told. As much as it hurt to hear it, this story does need to be told. We need to hear about the aftermaths of war. Not because we need to take one side or the other, but because we should pause before we pick a side. Abulhawa shows us that war scorches the lives of those who lay in the path of triumph. No one really wins in war expect death and pain as Abulhawa so vividly tells us.
After finishing the book I sat for a moment trying to collect my thoughts. A part of me disliked having to deal with the emotions and questions that washed over me while another part was so taken by the character and lives in Mornings in Jenin I was almost sad to have come to the end of the tale. For a few moments I was not sure if I could recommend this book or not as it is so full of loss but it dawned on me that one of the reasons I kept reading was because it opened my eyes to what real sadness and pain are. Sometimes we Americans get so caught up in our daily drama we tend to forget we are blessed, even when we are struggling. Mornings in Jenin will make you think, question and maybe cry. It is a testament to a people that before now had no voice. I highly recommend this book.

79 of 89 people found the following review helpful.
A Must Read
By Yousef Munayyer
Mornings in Jenin, by Susan Abulhawa, is the story of one Palestinian family over four generations. It can be argued, however, that it is also a story about any and every Palestinian family. The novel begins in the picturesque village of Ein Hod in the north of Palestine. The Abulheja family leads the simple life that most Palestinian farmers led before their tragic dispossession in 1948. Love was plentiful in Ein Hod. Love for life, for family, for God, and for the land. This was the essence of a farming society for generation upon generation.

The Abulhejas and their countrymen are forced out of their villages and homes only to find refuge in foreign towns and lands. They find themselves in a refugee camp in Jenin, their lives totally turned upside-down after losing everything they knew in their simple but beautiful, Palestinian village.

As they struggle in the refugee camp, in the early period after their exile, olive harvest season approaches. Haj Yehya, the family's patriarch, sneaks across the armistice line to tend to his olive groves despite the threat of death from an Israeli bullet. When he returns to the camp in Jenin where his family anxiously waits, he brings them the fruits of his labor, and the labor of generations before him, plucked from their trees in their village. Nothing could stop this old man from returning to his village, but on his next trip, he never made it back to Jenin.

That was the last time any Abulheja attempted to return, but the dreams of return only grew stronger. Amal, with a long vowel (a name meaning "hopes" in Arabic), was born in the refugee camp of Jenin to Haj Yehya's son Hasan. Her older brother, Yousef, spent his early years in Ein Hod before the Nakba. Another older brother, Ismael, was taken from his mother's arms during the exodus from Ein Hod. It would be through Amal's eyes, however, that the family's story is told.

Susan Abulhawa's masterful writing is delightful to read. She writes with an element of metaphor, undoubtedly owing its origins to the Arabic language, which brings color and feeling to every page of this novel. The characters are well-developed and one cannot help but grow attached to them. After each tragedy, be it 1948, 1967, and 1982, a new generation of the family is born, providing hope not only for the characters, but also for the reader who will inevitably experience a sense of depression in parts of the book.

Amal is born into refugee life. She grows up in the shadow of a mother that was devastated by the loss of a child. In 1967, Amal experiences 6 days of horror in a hole in the ground that will forever change her family's life. The father that read poetry to her in the early hours of the morning, the scenes that lend the book its title, is never seen again. Her mother slips into dementia, and her brother Yousef will soon leave to join the resistance.

She grows up away from Jenin, and seeks an education in the United States. Her father's wish was that she be educated and a scholarship makes this possible. In her ghorba (life away from home) Amal experiences western life and the contradictions it poses for Palestinians like herself. She will eventually travel to a refugee camp in Lebanon to reconnect with her brother. In Lebanon, she remembers her past, her love for the land and her family, and starts a family of her own. And just as stability seems to be coming back to her life, anchored by the cornerstone of family, tragedy strikes again. The massacres at Sabra and Shatila will devastate the Abulhejas in 1982, just as 1967 devastated them in Jenin, just as 1948 devastated them in Ein Hod.

Amal raises her daughter, Sara, as a single mother. She wants her to have nothing to do with Palestine, politics, and the wars that scared Amal literally and figuratively for decades. But a twist of fate, which brings Amal's long-lost brother back into her life, sparks an interest in Sara who is now old enough to start hearing about the secrets of her mother's past.

Ultimately it will be Sara, and her generation, which will carry the hopes of Palestine and Palestinians after Amal is gone.

Mornings in Jenin is a must read. It is sure to be an eye opening experience for those who know little about Palestine and an eye-watering experience for those who do. Abulhawa's style is magnificent, descriptive and passionate. While the story is fictional, it is built on entirely plausible circumstances and entirely factual events and places.

Many have waited for a literary contribution capable of explaining the Palestinian experience to the West. The wait is over, Mornings in Jenin is it.

Yousef Munayyer is Executive Director of the Palestine Center. This book review may be used without permission but with proper attribution to the Center.

106 of 127 people found the following review helpful.
Heavy.
By Crease in the Page
I told my high-school English class about a wedding I had been to over the weekend. It was a joyful wedding, as weddings should be, but there was also deep sorrow over the family members who couldn't be there; it was a wedding of some refugee friends of mine whose family members had been killed oversees in a clash between Christians and Muslims. I told my students that I was still feeling emotional over the tears of my friends. Tarek, one of my students, raised his hand and asked whether it was a Christian or Muslim wedding. Knowing he was Palestinian, I hoped to help him see that both sides suffer in war, so I told him: "It was a Christian wedding." He cheered about their loss and high-fived another boy in the class who was also Muslim. I suppose I gave the wrong answer. I should have said, "It was a human wedding." That was in the year 2000. To this day I have wanted to understand more about how and why Tarek and others could be so angry toward Americans, Jews, and Christians. So I read this book.

I will say in the author's favor that she had a more balanced perspective than Tarek had. Although she is clearly angry and describes Jewish people as thieves, murderers, and terrorists, she also includes a few Jewish characters who are kind and compassionate. She seeks to understand why Jewish people have taken her land, and concludes that it was because they themselves had been mistreated and without a home; she attempts to have a merciful, balanced perspective. But she is still overtly angry, and she definitely led me as the reader to understand why she is so angry.

It is truly grotesque that I, an educated 34-year-old American citizen, who has even spent 6 years overseas, had never stopped to consider WHY Palestinians are angry with Israel and America. All I knew was that we Americans were nice people who had helped the Jewish people return to their homeland. Pretty ignorant. I guess our textbooks are still teaching a one-sided story.

Thanks to Susan Abulhawa's book, I now see the other side of the story.

The author follows three generations of fictional characters through every atrocity that happened to Palestine since World War II.

"Mornings in Jenin" is not a pleasant read. I doubt that anyone in their right mind could get through this whole book without having a motive of wanting to understand more about the Israeli-Palestinian conflict. I mean no one will pick this up at Costco and read it cover-to-cover just for the heck of it. Murder, murder, and more murder are what this book is about. It is something we should know. But who wants to? Honestly, I think this book could be made more palatable by telling more story, more romance, more life, and less horror. I feel bad saying that, because of course the truth is what we need to hear, but this book is really like reading the worst world news headlines over and over. I am horrified to think that men, women, and children are living like that (and dying like that), but it is human nature to avoid it--they would if they could, and so do we as readers.

This is a book you should read. I will say that. I'm glad I read it, and I'm glad I'm done reading it. It has definitely given me more perspective.

*Post Script written about 2 years after I read this book*: I now have a friend who is Palestinian. She says she has found forgiveness through knowing Jesus. After a horribly difficult childhood and early adulthood in Palestine, she found forgiveness. She married a Jewish man, who has an equally difficult past. According to her, there really are two sides to this story. The Palestinians have legitimate grievances, and so do the Jewish people. If you read this book, realize that it is one-sided, not the whole story.

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Confessions of a Record Producer - How to Survive the Scams & Shams of the Music Business (3rd, 06)

Confessions of a Record Producer - How to Survive the Scams & Shams of the Music Business (3rd, 06) by Avalon, Moses [Paperback (2006)]

  • Published on: 2006
  • Binding: Paperback

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